Where have I been all these years?

A narrative case study on the impact of western (mis)conceptions of musicality on a generalist classroom teacher’s music teacher identity construction.

Authors

  • Christiane Nieuwmeijer VU University Amsterdam
  • Nigel Marshall Department of Education, University of Sussex, Brighton UK
  • Bert van Oers Professor, Faculty of Behavioural and Movement Sciences, Educational Studies https://orcid.org/0000-0001-9371-9126

Abstract

This article reports a narrative case study on Sanne, an experienced, 46-year-old early years teacher with both a negative musical identity and a music teacher identity, caused by (a) few childhood musical experiences, (b) teacher education that focused on musical performance skills, and (c) a professional context with minimal music education. These experiences reinforced her belief that musicality equates to musical performance skills, rendering her "unmusical" - a Western conception of musicality which prevented her from teaching music. Participation in a Professional Development (PD) programme on musical play however, positively influenced her music teacher identity, resulting in confidence to teach music. This paper explores what factors contributed to this identity shift.

The PD was set up according to criteria for effective professional development as argued by literature, amongst which collective participation, demand-driven content, long-term duration, and a focus on Pedagogical Content Knowledge (PCK).

Data were collected by means of surveys, interviews and e-mails containing video images.

Using Clandinin and Connelly’s (2000) ‘Three-dimensional space narrative structure’, text excerpts were selected from the data and ‘re-storied’ into a narrative.

Analysis revealed how a combination of newly acquired PCK and existing general play guidance skills enabled Sanne to facilitate musical play successfully, thereby neutralizing the obstacles raised by her self-perceived non-musicality, and positively affecting her music teacher identity.

In the discussion, we reflect on how our current Western conception of musicality may negatively affect individuals’ musical identity and provide some further thoughts on the implications of our findings for music educational practice.

Author Biographies

Christiane Nieuwmeijer, VU University Amsterdam

PhD researcher, VU University Amsterdam Professor in Music Education, Leiden University of Applied Sciences

Nigel Marshall, Department of Education, University of Sussex, Brighton UK

Reader in Education (Education) School of Education and Social Work

Bert van Oers, Professor, Faculty of Behavioural and Movement Sciences, Educational Studies

Published

2023-01-18